STUDIO PRACTICE 2A Conceptual and Divergent Thinking – Two Peas in a Pod Relates to Outcomes: 3 Introduction: The idiom ‘’like two peas in a pod’’ stems from the idea that we collectively appreciate the same things, that we are two of a kind and that we do practically everything together, (see the free…
STUDIO PRACTICE 2A & TECHNIQUES AND PROCESSES Worksheet 4 ‘’Explain an understanding of external opportunities for potential publication’’ Relates to Outcomes: all See research folder 1aa) Target Audience: 1. Considering my proposal for Techniques and Processes, I have looked into the Fine Art Portrait Painting of De La Tour, The Magdalen and have chosen to…
STUDIO PRACTICE 2A Worksheet 3 Conceptualising Words: ‘Faith & the Quiet before the Storm’ Relates to Outcomes: 1, 2, 3 and 4 See 3e for contact sheets and featured work on Ingmar Bergman Introduction: Following on from a lecture based on the idea of conceptualising words, we were asked to individually interpret the above words…
Relates to Outcomes: 1 and 3 (as in research folder) Introduction: Following on from testing out sunset shots in both a technical and conceptual way. I took another set of photographs of sunsets just outside my home in order to make sure that I know how to set my camera and gain confidence with improving…
Relates to Outcomes: 3 and 4 Mission Statement: Creavitity requires focus and energy. My purpose as a photographer and artist is conceptually directed towards capturing your one to one exclusive moments, whether they be landscape or portrait, commercial or concept. I fundamentally believe in working together to create something unique which will be tailored to…
ADVANCED STUDIO PRACTICE 2A Conceptual and Divergent Thinking – Test Two Relates to Outcomes: 3 – see research folder for contact sheet and 2 for research, Capture to Concept and Conceptual Photography, Ida, Process, Truth, Bate’s Conceptual Art and Playing Around Photography) Introduction: What were my aims and have I achieved them? My aim…
(See outcome 1 and 3) Test Shot 2: What have I done? Following on from my project proposal, I have felt inspired by Brassai (see my night photography mini project also) and by looking at interesting/divergent ways of capturing the sunset. In Photography Mag 2013, a feature describes alternative ways with regards to conceptual thinking…
ADVANCED STUDIO PRACTICE 2A CONCEPTUAL – TECHNIQUES ENABLING MOOD SETTINGS (Outcome 3) A Testament of Love by Fullerton-Batten Analysed and Re-conceptualised as ‘A Testament of Hope’ by Paula Thompson-Fearnley Introduction: The lecture examined the photographic work of Julia Fullerton-Batten to enable us as photographers to grasp the concept of creating a series of mood lighting…
Conceptualisation Project – Whisk (See research folder for contact sheet: Outcome 3) Conceptualised with the notion that something that is ”Made in England” has an old fashioned quality and is indicative of the past. Monochrome emphasises this in a simple yet effective way. What were my aims and have I achieved them? My aim in…
Relates to outcome 1 and 3 – see outcome one in research folder STUDIO PRACTICE Final Proposal Update: Depicting the North of England as a beautiful place and revisiting Northumberland as a personal journey photographing sunsets and other scenarios with the above intention. Introduction: The original intention was to reaffirm that the North of England…
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